Monthly Archives: July 2008

LG Dare: Not for Ophidiophobiacs

This ad features an image of a deadly snake coiled around a phone called the LG Dare. The headline reads:

Dare you to touch one.

Call me cowardly, but when someone dares me to touch a poisonous snake, I usually reply, “Are you f-ing crazy?” Then I run.

I’m not sure this is the reaction that the folks at LG and Verizon Wireless were going for.

Children’s Zyrtec Scores a Goal

The message: Children’s Zyrtec works on indoor and outdoor allergens.

Could this ad be more perfect in communicating the message?

I might have used the product name in the headline. But even without the name, your eye is directed from the headline, diagonally down to the image of the product in the lower right corner. The image is a good size and the name of the product is legible.

Notice how the designer used the colors of the packaging in the ad. The red carpet and green grass mirror the red and green of the product package.

This one works.

Samsung Has a Good Imagination

Comforters are too big to fit into most standard washers. Samsung wants to let us know that they make a front-loading washer that’s large enough to wash comforters.

The headline:

When comforters fit comfortably, imagination lives.

When I’m doing laundry, imagination usually doesn’t come into play, unless I’m imagining what life would be like in a world where I didn’t have to do laundry.

I’ve imagined some alternate headlines for this ad that make about as much sense:

  • When comforters fit comfortably, pigs will fly.
  • When comforters fit comfortably, let freedom ring.
  • When comforters fit comfortably, exceptional cheese.

Toyota Sequoia Helps Time Travelers

Just when I thought I’d seen it all, Toyota comes along with this ad, as if to say, “Don’t be jaded. We will show you things you will not believe.”

I must admit, when I first saw this ad, I couldn’t make heads or tails of it. I spent about twenty-odd minutes (and they were odd minutes) studying the ad, trying to find the meaning. A strange glowing sphere, the headline:

Make Tuesday a Saturday.

Then it hit me. Time travel! Toyota is showing us that the Toyota Sequoia can be used to transport time machines.

The ad features two large photos, and then four small photos at the bottom of the page. We’ll read the images like a comic strip to try to decipher the meaning.

In the first photo, we see a glowing sphere in a field, throwing out what looks like sparks. The headline tips us off that this is a time machine.

In the second photo, some contemporary-looking humans are seen rolling the time machine. There’s something inside, maybe aliens, or time travelers, or alien time travelers. The humans rolling the time machine appear to be helping the time travelers. They look happy that the time travelers have arrived safely.

Then there’s some copy that reads, in part:

…Sequoia allows you to see a weekend where others see a weekday.

This is clearly a reference to the fact that the Toyota Sequoia can help move time machines, as we will see.

The next panel shows two time machines near a Toyota Sequoia. This is followed by an image of the Sequoia alone. It looks big enough for the job. The next panel shows the time machines in their deflated state, ready to be moved into the Sequoia for transport back to wherever one stores time machines. My guess is San Francisco. The last panel shows the time travelers and their helpers preparing to leave the scene.

There’s a subheadline that says:

ANYTHING BUT ORDINARY.

I agree. Nothing about this ad is ordinary.

Why Buydig.com?

This ad for Buydig.com shows the company’s logo, some tiny images of consumer electronics, and provides contact information. Below the name of the company are the words:

The Internet’s Digital Superstore.

It’s easy to understand what Buydig.com sells without having to wade through a lot of copy. The ad tells the reader that Buydig.com is a web site that sells consumer electronics.

That’s it.

By not creating any kind of message, Buydig.com squandered the opportunity to give the reader a reason to buy from their company.

There are many places to buy electronics, both online and in brick-and-mortar stores. What makes Buydig.com unique or better than the competition? Do they have great customer service? Do they offer a larger selection of products? Do they have better prices? Lower shipping charges? Faster shipping? Is their web site easier to use?

You won’t find the answers to any of these questions in this ad. It’s not like there isn’t any space in the ad to say something about the company.

If you’re in the business of selling goods or services, you need to motivate people to buy from you and to continue to buy from you. Creating an ad that doesn’t say anything other than we sell stuff isn’t going to do either.

What is Audible.com Selling?

For the most part, I like this ad from Audible.com. It’s well-designed, the copy does a reasonably good job explaining the product, and there’s an offer for a free product.

The headline:

Bookshelf.
Without the Dust.

The problem is that after reading the headline and looking at the image, I thought it was an ad for electronic books, the kind you read on a reader. I had to read the copy to understand that this is an ad for audiobooks.

If your ad gives the reader the impression that it’s for something other than what you’re selling, you have a problem.

Imagine an ad with the headline that says: Good Eatin’. The photo shows a kid eating a big juicy hamburger in a fast food restaurant. Naturally, you’re going to think that you’re looking at an ad for a burger joint. The copy says:

Good eatin’ can be messy. New Moisty-Wipes cleans kids’ hands better than the leading brand. And they have a pleasing scent that kids love. Moms love them, too.

Nothing in the ad prepared you for the fact that it’s for moist wipes. You had to shift gear and reframe the ad’s message in your mind (if you bothered reading the copy at all). Once you made the shift, it was too late; the advertiser lost you.

There’s also the matter of the device shown in the ad. It looks like an iPhone. Are Audible’s audiobooks only for iPhone users?

I searched the company’s web site to find out. I had to dig a bit but eventually found that audio can be listened to on hundreds of AudibleReady devices, including the Apple iPod, Creative Zen, SanDisk Sansa and several popular GPS devices.

Why not say that in the ad? Then say: To check if your device is compatible, visit our web page at… This gives readers an additional incentiveto visit the site. Once the reader has gone to the site to check on their device (after all, they’ve been offered a free audiobook), Audible can focus on signing them up right there on the spot.

Makes sense to me.

British Airways Open Skies: Ce n’est pas une publicité.

In this ad, British Airways tips its hat to Belgian Surrealist painter René Magritte. The text in Magritte’s painting, The Treachery of Images (shown below) translates as:

This is not a pipe.

In the painting, Magritte tells us that we’re not looking at a pipe. We’re looking at an image of a pipe—a representation of the object, not the obect itself.

In the ad, British Airways uses the headline:

This is Not a Plane.

The copy tells us that we’re not looking at a plane, we’re looking at

…part of a complete travel experience designed around you. Blah blah blah blah…

It’s a plane. Or a picture of a plane—a picture of a plane above a headline, that’s above some copy that no one will read. 

Here’s what the reader sees:

A plane, this is not a plane, open skies, turn the page.

British Airways paid a lot of money to create and run this ad. Not only won’t the reader of the ad get the message, they won’t even know what company the ad is for. The words British Airways appear once, in tiny print, as if it was an afterthought.

Here’s a surrealist riddle:

Q: How many surrealists does it take to screw in a lightbulb?
A: A fish.

Hotel Nikko San Francisco: The Sound of One Hand Clapping

Hotel Nikko San Francisco has taken an interesting image, coupled it with a generic headline, and created an ad that ultimately says nothing.

The image of a woman sleeping inside an oyster with a pearl in it has these associations:

  • comfort
  • luxury
  • safety
  • happy as a clam (yeah, I know, it’s an oyster)

The headline:

Clear your mind. Rest your soul.

But what’s the ad for? We don’t know because the ad doesn’t tell us.

This could be an ad for:

  • A mattress manufacturer
  • A company that sells mattresses
  • A company that makes expensive sheets
  • A company that sells expensive sheets
  • A pharmaceutical company that manufactures a pill that cures insomnia

Nothing in the ad says hotel. The only way we know this is an ad for a hotel is by getting in the car and making the long drive down to the lower right corner where we find the words: Hotel Nikko San Francisco.

The name of the hotel should have been prominent in this ad. After all, does the advertiser want the reader to remember a woman sleeping in an oyster or Hotel Nikko San Francisco?

There could have been an additional image that says hotel, maybe a photo of the hotel. This way, someone turning the page sees: HOTEL NIKKO, San Francisco, luxury hotel, comfortable hotel.

This is another case of an advertiser who is so enamored with themselves that they forgot whom they’re targeting. Of course the reader is going to read all of our ad, they think. Maybe they’ll frame it and hang it in their living room.

Earth to Hotel Nikko: Most readers haven’t heard of your hotel and they don’t care about your hotel. They aren’t going to pore over your carefully crafted ad to find the name of the hotel down at the bottom of the page and then stop to figure out what you’re trying to say. They’re going to see a woman sleeping in an oyster, some type in a script typeface, and then they’re going to turn the page.

Just for Laughs: Mercedes-Benz

I don’t know if this commercial sold any cars, but it’s pretty funny.

Schick Intuition Plus: Find the Product

The image here of painting water over parched earth is a good one. The problem is that the name of the product is lost because the box of copy is too small. Since the razor doesn’t much look like a razor, we don’t know it’s a razor. Because the name of the product on the razor isn’t easy to see or read, we’re left with a puzzling ad with a good message but no product.

This pinpoints a problem with many current print ads. Imagine that you’re having a conversation with one of your friends. In the middle of debating the merits of Obama vs. McCain, she looks at you and says: “Meatballs.”

You look at her quizzically. “Meatballs?”

“Yes,” she says. “I have to go to the supermarket and buy some ground beef to make meatballs because I wanted to try a new recipe I just read. It’s meatballs and macaroni with tomatoes and basil. It’s supposed to be quick and easy.”

When your friend said meatballs, she knew exactly what she was talking about because the rest of the information was in her mind. She assumed you’d know what she was talking about, even though it didn’t make a bit of sense to you.

Advertisers do this as as matter of course. In the above ad, Schick knows their razors are called Intuition, so when some marketing wonk at Schick has to approve this ad, the word Intuition screams off the page. The people who created the ad have seen and heard the word so many times that when they look at the ad, it’s like a giant billboard with the word Intuition emblazoned across it.

They’re thinking like an advertiser, not like a consumer.